I took this image quickly, on the fly, without much time to think or to compose. But I like it. When I look at it I imagine some film noir or expressionist filmmaker, plying his trade on a darkened, European sidestreet in the 1930s or 40s. Perhaps Fritz Lang filming a scene from M, or Orson Welles working on The Third Man. Alas, it is only fellow photographer Tony Irons photographing a building on Hitt Street..."the fancy cannot cheat so well."
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